This is an absorbing and informative film about the history of the Louvre; but it’s distinguished more an ode to the building itself than to the treasures contained within.
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This award-winning film was made by American Lucy Jarvis and represents the first time anyone was ever allowed to film inside the Louvre. Charles Boyer narrates in English, and tells an animated account of the Louvre’s glide from Fortress to Palace to Museum–and its original situation in the history and heart of Paris. The building changed physically at the hand of each of its regal denizens, and the art collection was purchased, gifted, stolen and scavenged throughout the course of centuries. The narration is illustrated with portraits of key historical figures, as well as drawings, paintings and prints of historical events surrounding the Louvre through the ages. Some of the nicest film footage is of the deserted galleries at night, captured when the crew got locked in the Museum one evening.
Because this DVD was released in August 2005, I assumed it was a sign novel program. In fact, THE LOUVRE was filmed in 1977, and, unfortunately, shows its age. I’ve been detestable by the gripping, well-kept, gleaming, digital quality which makes beautiful art DVDs such a pleasure to belief. Even older titles seem to have been “cleaned up” for their digital debuts in order to win stout advantage of the unique medium. Sadly, no such restoration appears to have taken space with this title (at least to my untrained leer) . The interior scenes have a yellowish cast to them that distorts the colors of the paintings, and infuses THE LOUVRE with a fuzzy, dated feel. In addition, distinguished of the footage is slightly “horrified,” which I found very distracting. One noble thing about the film’s age is that we net to sight some works by Manet, Degas, Cezanne, Van Gogh and others which were moved from the Louvre long ago and are now housed in the Musee d’Orsay.
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The DVD “extras” aren’t even worth mentioning.
I don’t want to approach across as too terribly negative. This is mild a “must have” for serious art geeks like myself–I honest want people to understand what this DVD is, and what it is not. It IS a lovingly-made epic of the bright history of one of Paris’ oldest and most distinguished buildings; it is NOT a retrospective of the mammoth art collection housed within its walls. Yes, many paintings and sculptures do appear throughout the film, but they do not often appear to their best advantage. I was pleasantly surprised by how grand I learned about the Louvre’s rich history, but disappointed by the secondary role assigned to art history and appreciation.
Let’s impartial say this upfront, it has nothing to do with the Da Vinci Code so forget about that. It’s an NBC News documentary from the ’70s, shot on film with professional lighting and voicever by Charles Boyer, mainly about the long and complicated history of the building. It’s very, very well done, with high production values – not like a Rick Steves or Samantha Brown traveldoc (not that there’s anything snide with those) .
As others have well-known, the film stock has not passe as well as one might like, and while the audio is very marvelous, the visual is perhaps a 3.5-4 out of 5. Also, there’s a itsy-bitsy bit of staging every so often with spectators. The most effective bit is a running feature where a costumed arm adds to and rearranges the wings and corridors of the Louvre to indicate how it changed over time (and it changed a lot) . Boyer has a suited script to work with and does a professional job of narration.
It’s only an hour long so it catches your attention, gives you useful info, and then you’re done. It deals with the Mona Lisa only as one of thousands of works of art, so don’t acquire this hoping for a documentary on that subject. What it is, is a very professional overview of the joint. Valid for people who are planning to go and want to retract a recognize, and those who have been and want to remember. This is a satisfactory gift for an older Francophile.
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